Old Classic Radio
It was Edgar John Bergen's skill as an entertainer and vocal performer, and especially his characterization of Charlie, that carried the show. Many of the shows have survived and are available for audiences today to experience the phenomenon firsthand. Bergen's success on radio was paralleled in the United Kingdom by Peter Brough and his dummy Archie Andrews (Educating Archie).
For the radio program, Bergen developed other characters, notably the slow-witted Mortimer Snerd and the man-hungry Effie Klinker. The star remained Charlie, who was always presented as a highly precocious child (albeit in top hat, cape, and monocle) – a debonair, girl-crazy, child-about-town. As a child, and a wooden one at that, Charlie could get away with double entendre which were otherwise impossible under broadcast standards of the time.
- Charlie: "May I have a kiss good-bye?"
- Dale Evans: "Well, I can't see any harm in that!"
- Charlie: "Oh. I wish you could. A harmless kiss doesn't sound very thrilling."
Similar lines given to Mae West in a sketch on the show broadcast December 12, 1937, resulted in her fifteen-year broadcasting ban. "Charles, I remember our date and have the splinters to prove it."
Charlie's feud with W. C. Fields was a regular feature of the show.
- W.C. Fields: "Well, Charlie McCarthy, the woodpecker's pinup boy!"
- Charlie: "Well, if it isn't W.C. Fields, the man who keeps Seagram's in business!"
- W.C. Fields: "I love children. I can remember when, with my own little unsteady legs, I toddled from room to room."
- Charlie: "When was that? Last night?"
- W.C. Fields: "Quiet, Wormwood, or I'll whittle you into a venetian blind."
- Charlie: "Ooh, that makes me shutter!"
- W.C. Fields: "Tell me, Charles, is it true that your father was a gate-leg table?"
- Charlie: "If it is, your father was under it."
- W.C. Fields: "Why, you stunted spruce, I'll throw a japanese beetle on you."
- Charlie: "Why, you bar-fly you, I'll stick a wick in your mouth, and use you for an alcohol lamp!"
- Charlie: "Pink elephants take aspirin to get rid of W. C. Fields."
- W.C. Fields: "Step out of the sun Charles. You may come unglued.
- Charlie: "Mind if I stand in the shade of your Nose?"
Bergen was not the most technically skilled ventriloquist – Charlie McCarthy frequently twitted him for moving his lips, but Bergen's sense of comedic timing was superb, and he handled Charlie's snappy dialogue with aplomb. Bergen's wit in creating McCarthy's striking personality and that of his other characters was the making of the show. Bergen's popularity as a ventriloquist on radio (where the trick of "throwing his voice" was not visible) suggests his appeal was primarily the personality he applied to his characters.
Bergen and McCarthy are sometimes credited with "saving the world" because, on the night of October 30, 1938, when Orson Welles performed his War of the Worlds radio play hoax that panicked many listeners, most of the American public had instead tuned in to Bergen and McCarthy on another station and never heard Welles's play. Conversely, it has also been theorized that Bergen inadvertently contributed to the hysteria. When the musical portion of Bergen's show, The Chase and Sanborn Hour, aired approximately twelve minutes into the show, many listeners switched stations and found the War of the Worlds presentation already underway, with a realistic sounding reporter detailing terrible events.
Ray Noble was the musical director and composer and teenage singer Anita Gordon provided the songs on his show. Gordon was said to have been discovered by Charlie, who had a crush on her.
Other media
In addition to his work as a ventriloquist, Bergen was also an actor and comic strip creator. He appeared as the shy Norwegian suitor in I Remember Mama (1948). He also appeared in Captain China (1949) and Don't Make Waves (1965). He created the syndicated comic strip Mortimer & Charlie, which ran in 1939.
Bergen and his alter-ego McCarthy appeared together with top billing in several films, including the Technicolor extravaganza The Goldwyn Follies (1938), opposite the Ritz Brothers. That year they also appeared in You Can't Cheat an Honest Man with W. C. Fields. At the height of their popularity in 1938, Bergen was presented an Honorary Oscar (in the form of a wooden Oscar stauette) for his creation of Charlie McCarthy.